Moyra Davey

Interview about Les Goddesses/Hemlock Forest

THE PARIS REVIEW

Davey often portrays herself in her New York City apartment, within reach of any bookmarked volume in the crosshatched piles on her shelves. Her writing is weighted by reverence for other artists, writers, and filmmakers, whose quotes crowd her paragraphs. “Perhaps I still ‘write’ like a photographer,” she once wrote. “I go out into the world of other people’s writing and take snapshots.” Davey tends to invite her audience in at what feels like the most inopportune moment, when she is surrounded by notes, her rooms in a state of honest disarray, a mess of chairs and dishes piled in the sink. That’s why, as I sat down in her living room for our interview, I felt an uncanny familiarity—everything: the bookcases, the couch, the kitchen, was as I had seen it before—down to her cannonball-like pitbull, Rose, who lay on her back, watching us talk upside down.