“Though Griffin mentions in passing the precariousness of the cheap and alternative spaces in which artists work, he refuses to investigate the more structural problems, the fundamentals of how insurance, infrastructure, and funding put artists in these positions. In the capitalistic mesh, an artwork is often valued more highly than the person who created it. Standing in the ashes of these works, Griffin might have used his position to show the artist as more deserving of care and support. Instead, his treatment subsists on trite assessments of the unique space the artist inhabits, both socially and literally, buying into an outmoded mythology that artists are outside of society, rather than inheritors, perpetrators and victims of it.”