Polly Apfelbaum Plays with Pattern

Polly Apfelbaum: A Handweaver’s Pattern Book, at Clifton Benevento, New York

gallery review

Hyperallergic

Installation view, ‘Polly Apfelbaum: A Handweaver’s Pattern Book,’ Clifton Benevento, New York, 2014

Installation view, ‘Polly Apfelbaum: A Handweaver’s Pattern Book,’ Clifton Benevento, New York, 2014

In the Pattern Book’s introduction, Davison writes, “A long view into the past brings also a long view into the future from the high point handweavers have reached today.” This is the other lesson of patterns: understanding them in hindsight can make them reliable predictors. But habits are not immutable — to recognize them makes it possible to change course. That is what Apfelbaum seems to be doing. Once identified by Ingrid Schaffner, the curator of her 2003 retrospective at the ICA Philadelphia, as making “an art of accommodation,” assimilating to any space, she’s now asserting her own obstacles. In doing so she challenges the viewers’ predispositions when faced with art on a white wall. It’s a new approach to the same scheme: Apfelbaum reminds us to watch our step, to keep our distance, to respect.